清末民初笺扇店与书画市场

On the Papers and Fans Shops and the Calligraphy and Painting Market in the Late Qing Dynasty and the Early Republic of China

随着社会经济的迅猛发展,清末民初时期,中国书画市场发生了重大变革,在书画交易中扮演重要角色的笺扇店,其作用与功能也发生了一些变化。传统的笺扇店经营商品以信笺、扇骨、扇面为主,到此时则转为主要经营书画作品,这种转变使其成为了书画市场中的重要成员。同时,笺扇店的经营模式在不同区域存在着显著差别,北方以北京荣宝斋为例,其选拔制度、经营形式和宣传方式都充满着封建色彩,经营成本较高;南方以上海朵云轩为例,其经营方式、宣传手段则较新颖自由,充满着新兴活力与勃勃生机。这种区别是历史和地域的差异,也是由经济发展程度决定的。我们亦可从清末民初笺扇店之变化中感受时代变迁下的中国书画市场流变。

As the rapid development of social economy, there was a great change taking place in calligraphy and paint-ing market in the late Qing dynasty and the early Republic China. The shop of paper and fans which played a significant role in calligraphy and painting trade once mainly soled letter papers, frameworks and the coverings of fan, but it began to sell calligraphy and painting works at that time, which made such shops become impor-tant members in calligraphy and painting market. In north China, Peking Rong Baozhai was filled with feudal color for its selection system, operating way and propaganda means. In south China, Shanghai Duo Yunxuan is very energetic for its new operating formation and propaganda means. Such difference is a historical and region-al difference and was depended by the economic development degree.