摘要
"神明"一词渊源已久,清代叶燮的《原诗》集中运用了"神明"一语。叶燮关于"神明"的论述贯穿其诗歌发生论、创作论和风格论,凸显了创作者的主观精神对诗歌创作的重要作用。其诗歌发生论主张"穷尽此心之神明";其诗法论强调"神明之法";其师古论以"得其神理"为纲;其诗歌风格论以"变化神妙"为主脑。叶燮诗论围绕"神明"而展开,不囿于俗见,熔铸古昔而自成一家,显得比较通达。
The word ＂Deity＂ has a long time of origin. Ye Xie elaborated the theory of ＂Deity＂ in his The Origins of Poetry, which highlighted the importance of the creator＇s subjective spirit in poetry creation. His occurrence theory of poetry advocated ＂trying to show my spirit＂ ; his theory of learning the ancients believed that ＂getting divine truth＂ was the guiding principle; his style theory considered that ＂wonderful change＂ was the mastermind.
出处
《北京社会科学》
CSSCI
北大核心
2015年第2期27-33,共7页
Social Sciences of Beijing
基金
国家社会科学重点项目(10AZW003)
关键词
神明
发生
诗法
师古
风格
deity
occurrence
learning the ancients
poetic law
style
