马拉美诗歌的符号学阐释及其得失——以克里斯蒂娃的解读个案为例

On Gains and Losses of Mallarmé's Poems from the Perspective of Semiotics ——A Case Study of Kristeva

符号学家克里斯蒂娃将自身建构的文本理论,用于对先锋诗歌尤其是马拉美诗歌的阐释,以此来论证她有关诗性语言的理论运用于诗歌研究的合理性。《骰子一掷,改变不了偶然》是马拉美的代表作,克里斯蒂娃从诗歌唯一的长句出发,通过对诗歌能指的分析,论证诗歌多元意义的动态生成过程。克里斯蒂娃对马拉美诗歌的解读实践,反映出了诗性语言的陌生化特征,她运用的"能指的微分"的阐释方式,表现出一种逾越日常语言的姿态,但也存在着明显问题,如理论先行、阐释服从理论的倾向以及理论用于诗歌文本分析实践时存在操作局限等。

Un Coup de Des Jamais N＇Abolira Le Hasard is the representative work of Mallarm6. From the vantage of the only one long sentence in it, Kristeva differentiates the signifier of the poem and demonstrates the generation of pluralistic meanings, thus explaining the dynamic generation of poetry meaning. Kristeva＇ s understanding for avant-garde poetry indicates the defamiliarization feature of poetic language and the interpretation way ＂Differentiation of the Signifier＂ that he uses beyond the daily language is an impassable behavior. However, problems also exist,like the inclination of giving priority to theory;interpretation obeys theory and the practical limitation of using semiotic to analyze other poetry texts,etc.