摘要
《爸爸去哪儿》使用了家庭生活和亲子互动的拟制,将明星们的后台行动搬到了前台,使得明星不以公众面前的行为方式行动,加之孩子尚未充分社会化,其行为方式也不符合某些社会规范。这对原有的社会框架形成冲击,替代性地满足了观众冲破原有的约束性的社会框架的心理,由此产生娱乐效果。
Where Are We Going, Dad makes the use of the fiction of the family life and parent-children inter- action, moves stars backstage actions to the stage, which makes stars＇ act not as familiar as the behavior pattern in the public. Moreover, the children are not fully socialized, and their behaviors do not accord with the social norm. This brings a shock on the previous social framework, and satisfies the wish of the audience to break the previous obligatory social frame, and thus generates entertainment effects.
基金
浙江省教育厅课题(Y201120812)
杭州市社科规划一般课题(B13WX04)
关键词
前台
后台
拟制
社会框架
on the stage
backstage
fiction
social framework
