摘要
3D电影借助双镜头摄像技术生成了较之2D电影透视感更强、更逼真的影像,进一步拓展了直观真实和超现实真实的美学空间,带给观众更强烈的感官愉悦和沉浸效应,具有独立审美价值。但3D电影也普遍呈现出内容空洞、叙事弱化、形象扁平、形式虚假等高碳病象,其根源在于艺术文本中客观真实的缺失。合理配置直观真实、超现实真实、主观真实与客观真实,尤其是注重文本客观真实的营造,提升低碳美学价值是3D电影艺术发展的正确方向。
3D movies generate the images more perspective and real than 2D movies do by the technology of twin-lens cameras, which further expands the aesthetic space of intuitive reality and hyper reality, giving the movie- goers more sensory pleasure and immersive nature, thus possessing independent aesthetic value. Meanwhile 3D movies also take on many high-carbonized symptoms such as devoid of content, narrative weakening, figure flatten- ing and form falsehood, which sere from the lack of objective truth. 3 D movies should allocate intuitive reality, hy- per reality, subjective reality and objective truth properly, especially paying attention to creating objective truth of text.
出处
《山东青年政治学院学报》
2015年第3期9-15,共7页
Journal of Shandong Youth University of Political Science
基金
2013年度教育部人文社会科学规划一般项目"数字艺术德性研究"(13YJAZH063)
2013年度国家社科基金艺术学项目"数字艺术伦理学研究"(13BA010)
关键词
3D电影美学
沉浸效应
客观真实
感官型自由情感
陶冶型自由情感
3D-movie aesthetics
immersive nature
objective truth
sensory type of free emotions
type of free emotionsedifying