试论华嵒题画诗所表现的“离垢”思想及其渊源

A Study on the Huayan' s Poems Inscribed on the Ligou Thoughts

华喦是清朝中期扬州画派中的代表人物之一,在清代绘画史乃至中国绘画史上占有一定地位。作为一个一生以卖画为生的职业画家,华喦一直挣扎在贫困的边缘,花甲之年还要往返于杭、扬两地维持生计。因此他的画作以及题画诗,不免多为迎合市场需求之作。然而又正如其诗集名称《离垢集》所示,华喦的很多题画诗中却又表现出明确的"离垢"思想及安于贫困、不慕荣华、超尘脱俗的人生理想。

Huayan is a very famous artist with good reputation in the Chinese painting history. During the two hundreds years after he died, his influence and status extended increasingly. As a professional painter, meeting the requirement of the market was the first precondition for Hnayan＇s life, so many of his poems inscribed on paintings obviously showed the masses＇ taste. But Huayan was not content with being a professional painter purely all the time, once he could support his life, he always tried his best to commit himself to the creation. In fact, this feelings and hopes was just the expression of his idea/life in which he could live with poverty, he could no need to admire wealth and he could be apart from the secular life.