在对“物”不断地符号反观中重建其物证性——试论《物尽其用》中的人类学写作

Rebuild the physical evidence in semiotics reflection for object——the discussion of anthropologic writing in <Wu Jin Qi Yong>(物尽其用 )

巫鸿《物尽其用》这本书,具有阅读文本和成像文本双重属性:成像文本所坚持的观看性像似原则,使得该书始终与赵氏物语或人类学田野性源点保持高度真实关联、以及不断前台化的符号叠加关系;阅读文本则使这种关联通过理论反观而获得,使得赵氏存在物和宋冬摆放物具有了人类学的真理性。文章把这种人类学的类文本写作原则概括为:在对"物"层累地符号反观中重建其物证性。它进一步告诉我们:唯有在文字反观目光之下的人类生活才是本质性可见的,而书写的真理唯有在不断地向人类学的田野源点的复归中才能获得。

There are both attributes of reading and imaging texts in Wu Hong＇s All Things Serving Their Proper Purpose. The iconicity principles held by the imaging text make the book not only highly and authentically associated with The Zhao＇s Stories and anthropological field source, but also constantly superimpose the relationship of foregrounding signs; the reading text makes such an association available by reflection on theory, which makes the Zhao＇s existences and the articles placed by Song Do：ng have the truthfulness of anthropology. This quasi-text writing principle of anthropology can be summarized as follow： rebuilding physical evidences from constant semiotic reflection on ＂object＂. It further tells us： human life is essentially visible only under the eye of reflecting on characters, and the truthfulness of writing is available only after constant returning to the anthropological field source.