摘要
自唐以后,"杏花村"的意象逐渐确立,形成了不断丰富的"杏花村"文化内涵。山水、农耕、宴饮、怀古、赋诗、垂钓、礼佛,诗人们在"杏花村"可以各取所需、各得其乐:"路上"所见的无限风景,行人"断魂"的幽深情结,"问酒"所隐藏的巨大诱惑,"遥指"之处的浪漫空间,特别是"断魂"和浪漫集于一村的无限遐想,让"杏花村"早已超越地理范畴而成为诗人心灵中的一块绿洲。
Since the Tang Dynasty, the image of "apricot flower village" has gradually been established, and its cultural connotations have become richer and richer. Poets can take what they need and enjoy what they love in this "apricot flower village", such as landscape, farming, banquet, ancient-meditating, songs chanting, fishing and paying respect to Buddha. The enchanting scenery "on the road", passers-by with low-ered spirit, heavy inducements behind the "wine-askers", the space for romance in the place which "the shep-herd boy points at", especially the "sorrow" and romance which make infinite fancy haunting around the village, let the "apricot flower village" be an oasis which is beyond the geographical scope in the poets" hearts.
出处
《安徽广播电视大学学报》
2015年第2期78-83,共6页
Journal of Anhui Radio & TV University
关键词
杏花意象
杏花村意象
文化内涵
apricot flower imagery
apricot
flower village imagery
cultural connotation