中国古代诗书画打通的研究方法及其当代启示

Research Method and Contemporary Enlightenment of Uniting Poetry Calligraphy with Painting in Ancient China

中国古代文人往往既是创作者,又是理论家、评论家,对文学与书画都有较精深的研究,在理论研究和文艺批评中往往将文学与书画联系起来,相互比较。这种融会贯通的研究方法有利于更深入地剖析文艺现象、解析文艺作品的内涵,便于找到新的研究视角、拓展研究视野。当代文艺学要走向繁荣,必须在一定程度上回归诗书画打通的传统,尽最大的可能去打破专业的壁垒,避免专业划分过细带来的诸多弊端。

Ancient scholars in China were not only writers, but also critics and theorists. They deepen research on literature, painting and calligraphy which are united and compared in theoretical research and literary critism. This method achieves a comprehensive study of literature phenomenon and literary works which help to seek out the new research perspectives and extend the research vision. To make the modern theory of literature and art prosperous, it returns to the tradition that is united literature, painting and calligraphy to some extent, makes utmost effort to break profession barrier and avoids the drawbacks which bring from disciplinary parititionment.