论古代士大夫画家对写意绘画的偏爱

The Ancient Literati Painter's Preference for Freehand Painting

通过对文献的查阅分析、选取例证,结合描述性研究方法,提出中国写意画的出现及古代士大夫画家们对其偏爱,并非只有单一的哲学成因。受道家美学思想影响只是其成因的显性部分。写意绘画能够发展至巅峰,还与中国文化中的"求意"底蕴、长期恶劣的政治环境以及士大夫写意画家无意却在经济上获益等因素都有关系,是哲学、文化、政治、经济合力胶着的必然。

Through analysis of the literature review, examples selection, combining descriptive research methods,the paper makes a point that＂freehand painting＂ appearance and the preference of＂elite＂ artists,are not only caused by philosophy. The influences of T aoist aesthetics is only a dominant part of the causes. Freehand drawing can be developed to the peak, but also associated with chinese culture of＂seek meaning＂heritage, long-termadverse political environment and ＂Literati＂ freehand Painter obtains benefits in the economy unconsciously.This is the result of a combined force by philosophy,culture,politics and economy.