摘要
人们对于经典的期待视野在于,经典是权威、典范的作品,在人类文化发展中有着久远的感染力量。在中国电影产业化的进程中,出现了群选经典化的趋势,这是观众能动作用加强的结果,也是电影经典建构必须要面对的一个新问题。电影产业中经典文本的建构不仅由学术精英进行指引式判断,而且参照大众的评价。大众并非缺乏文化积累的群体,他们往往能够提供质朴的观影体验。电影产业中经典文本的建构是对文化资本进行选择和分配的结果,经典作品将是文本必然性与文化任意性相结合的产物。
People’s expectation horizon to canons is that they must be authoritative and canonical with inspiringand far-reaching power in human development. And in the process of Chinese film industrialization, a new trendarises that masses take part in the construction of classic movies, which reveals both the audience’s activereinforcement and a new problem the construction must face. Under capital operation, the construction of classicmovies not only goes under the guidance and judgment of the academic elite, but also refers to the views of themass, who, not a group without cultural accumulation, tend to provide some unvarnished judgments of theirmovie experiences. The construction of classic movies is the result of choice and distribution of cultural capital,and the classic movies are the products of textual inevitability and cultural occasionality.
出处
《中南大学学报(社会科学版)》
CSSCI
2015年第3期229-234,共6页
Journal of Central South University:Social Sciences
基金
国家社会科学基金重点项目"提高我国文化软实力的中国道路研究"(14AZD040)
国家社会科学基金一般项目"数字化语境中新世纪以来的文艺审美实践研究"(13BZW027)
杭州电子科技大学人文社会科学研究基金资助项目"新信息技术环境下电影产业的文化资本研究"(KYF125615009)
关键词
电影产业
经典
群选经典化
大众
文本
film industry
canon
the trend of mass selecting canon
the mass
text