唐宋俗乐二十八调的管色实践基础

The Twenty Eight Keys of Folk Music in the Tang and Song Dynasties

唐宋俗乐二十八调是我国古代音乐理论发展的重要成果,在唐宋及其后的音乐实践中得到广泛运用,影响深远。本文在研读前辈学者成果基础上,立足中外古代音乐文献和传统音乐遗存,拟从管色乐器定律特性、使用谱字、演奏指法、二器并用等方面,就俗乐二十八调的应律乐器机制与管色实践基础,以及二十八调与明清正宫调和小工调工尺调名体系的承继关系等问题略作申论,探讨二十八调理论的传统乐学基础和历史流变,更全面认识唐宋俗乐二十八调特征及其在中华传统音乐长河中一以贯之的深远影响。

The twenty eight keys of folk music in the Tang and Song Dynasties are an impor tant achievement of music theory in ancient China. They were widely practiced with long lasting inf luence. This essay intends to explore the keys' evolving history and the mainly wind instruments that were closely associated with playing the music written in these keys.