民间叙事视角下的东河戏研究——基于赣县白鹭村田野调查之整理

East River Drama Research from the Perspective of Folk Narrative——Based on the Bailu Village Fieldwork

东河戏是一个历史渊源较长的地方剧种,有自身的文化艺术特质。在传承递嬗的过程中,宗族社会结构的变化及宗族成员社会的变迁给予了东河戏差异性的功能定位。在此,试图将东河戏放在历史宗族的文化背景下解读,在研究方法上,重视民间文化的本位立场,从民间叙事的角度分析民间讲述人口头叙述的东河戏剧目所呈现的民间故事形态,并从研究方法上强调了民间叙事研究者所应具有的乡民与研究者两个身份特征。民间叙事的方法是还原东河戏原初形态的一个较为可行之路,其根本则是对传统文化之重视,是对民众日常生活秩序的理性重建。

East river drama is logical play with a long history , which equipped with its own cultural and artistic traits. In the process of inheriting the evolution, the change of clan social structure and clan society has given it the difference of function orientation. This paper attempts to interpret it under the historical clan background. On the research methods, the emphasis is put on the egoistic position of folk culture and analysis present form of folk tales narrated by folk narrator. The paper also makes an emphasis that researchers of folk narrative should have two iden- tities, villagers and researchers. In addition, folk narrative method is a more feasible way to restore the original east river drama form, which is the fundamental value of traditional culture as well as the rational reconstruction of the people dailv life order.