审美视角下朱光潜与京派文学群体的歧异性

Talk About the Diversity of Zhu Guangqian and the Other Beijing School Literature Group in the Perspective of Aesthetics

在审美视角下,朱光潜与其他京派作家在审美思想、审美眼光、审美批评等方面存在着一些重大差别。从审美思想看,具体表现为情趣主义和趣味主义的不同;从审美眼光看,是通达的眼光与"乡下人"眼光的不同;从审美批评方面看,是逻辑式批评与印象式批评的不同。从审美角度辨析和检视朱光潜与京派文学群体的歧异性,不仅可以增进我们对朱光潜美学思想复杂性的深刻认知,而且可以夯实中国现代美学的细部研究及基础研究。这一歧异性更能够突显朱光潜重"情趣"的直觉论美学及"人生艺术化"美学主张的重要价值和意义。

In the perspective of aesthetics, that exists some significant differences in the aesthetic thought, aes- thetic taste and aesthetic criticism etc between Zhu Guangqian and the other Beijing School Literature writers. From the aesthetic thought perspective, this diversity is specificly embodyed the difference of interest doctrine and the taste doctrine ; from the aesthetic vision perspective, this diversity is the difference of understanding vision and “country people” vision; from the aesthetic criticism perspective, it is the difference of logical critism and impres- sion criticism. To analyse the diversity of Zhu Guangqian and the other Beijing School Literature writers from aes- thetic perspective, This can not only improve our profound cognition of the complexity of Zhu Guangqian aesthetic thought, but also compact Chinese modern aesthetics＇ detailed research and basic research. This diversity can high- light the important value and significance of Zhu Guangqian＇ s intuition aesthetics emphasizing “taste” and his aes- thetic proposition that is “artistic life”.