摘要
中国的传统服装崇尚儒家和道家文化,讲究精神高于肉体。把服装审美当作传播宗教思想,塑造人格,维护皇权的象征;西方的服装审美讲究人是第一位,讲究人的曲线,注重个人的感受,看重自由。现今随着时代的变迁,各种文化相互之间的融合发展。中国的服饰审美也受到了很多影响,但是大体上讲究"中庸"的儒家思想还是根深蒂固地种植于中国的服装审美之中。当今中国的服装设计应该在不断的发展中寻求一种属于中国特色的服装发展之路,在充分学习别人优秀的文化和发展经验中,谋求更大的进步。
Traditional Chinese clothing advocates Confucian culture, which pays more attention to spirit than human body. Clothing aesthetic is regarded as a symbol of spreading religious thoughts, shaping personality and maintaining imperial power; while western clothing aesthetic emphasizes that people is the most important, and pays attention to the curve of the people, personal feeling and freedom. Nowadays with the changes of the times, all kinds of culture develop with integration. Chinese aesthetic is also largely influenced, but "the doctrine of the mean" of Confucian thought is generally deep-rooted in clothing aesthetic cultivation in China. The development of fashion design in today's China should constantly seek a way of the clothing development with Chinese characteristics, so as to strive for greater progress by fully learning other outstanding culture and development experience.
出处
《设计》
2015年第9期58-59,共2页
Design
关键词
儒家思想
服装审美
发展之路
Confucianism Clothing aesthetic Developing way