从程长庚接受看民国时期京剧批评的两个维度

Two Dimensions of Peking Opera Criticism Embodied in the Aesthetic Acceptance of Cheng Chang- geng in the Period of Republican China

民国时期的程长庚接受主要体现在两个维度上:一是以"知人论世"的视角对程长庚道德人格的接受;一是对其表演风格的审美体认和把握。两个维度深入探讨,互相渗透融合,从而构成比较清晰完整的程长庚接受系统。可以说,民国时期程长庚接受在一定意义上开启了京剧接受理论之先河。而对民国程长庚接受现象进行系统地分析和阐释,有助于我们深入认识和了解这一时期京剧接受活动的特点和规律。

In the period of republican China, Cheng Chang -geng＇s aesthetic acceptance presented mainly in two dimensions ： One is the reverence of Cheng chang - geng＇s noble moral personality from the observance of life and people ; the other is the aesthetic cognition and grasp of the audience on his performing style. These two dimensions intermingle and interact with each other, thus constitute the relatively clear and integrated Chen Chang- geng＇s aesthetic acceptance system. So to speak, Cheng Chang- geng＇s aesthetic acceptance system in the period of Republican China to some extent initiated the reception aesthetics in Peking Opera Criticism. A systematic analysis and interpretation of Chen＇s aesthetic acceptance in the period of Republic China, helps to offer a deeper understanding and a close observation of the regularity of the aesthetic accep- ting activities during that period.