摘要
中唐文坛仍然弥漫着六朝的浮靡风气。韩愈的文学批评特立独行,文如其人,高举复古的大旗,呈现的是因文及道、摧毁廓清,也体现在习于古而不泥于古,飘洒空灵,以戏为文。正因为如此,奠定了其"文起八代之衰"的主导地位。
There was still extravagant atmosphere of the six dynasties in the academic field of the middle Tang Dy- nasty. Han Yu's creation was characterized by its unique criticism style and reflections of the writer. His insistence on restoring ancient ways showed the relations between text and Tao without the confinement of forms. It also proves that his works were rooted in the retro but free from it with free spirit, which thus determined his leading role of "man elevating literature of the previous eight Dynasties decline".
出处
《淮海工学院学报(人文社会科学版)》
2015年第4期38-40,共3页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
关键词
韩愈
文学创作
文学观
Han Yu
literature creation
literary view