摘要
传统民窑青花在其发展过程中曾数度发生美学风格及审美思想的变迁。论文以十七世纪民窑青花的艺术风格流变过程为研究对象,重点就其隐逸题材展开分析,并从文人画中探寻这一风格流变的根源。
Traditional folk art blue and white ceramic paintings have seen a number of transformations in style and aesthetics in their development. This paper probes into the style evolution of the 17th century folk art blue and white ceramic paintings, focusing on their motifs of reclusion in order to ifnd the root of their transformation in literati paintings.
出处
《陶瓷学报》
CAS
北大核心
2015年第3期322-324,共3页
Journal of Ceramics
关键词
文人画
明清
青花
隐逸
literati painting
the Ming and Qing Dynasties
blue and white painting
recluse