摘要
沈璟的传奇《埋剑记》系根据《太平广记》中的小说《吴保安》改编而成。作者通过"增""衍""删""调"几种方法,使得戏曲无论是在情节结构、人物形象还是主题思想的表达方面都发生了显著的变化,而这些变化从本质上说是与传奇生旦双线并进的体制和注重教化的审美功能密切相关的。
The poetic drama ＂Mai Jian JI＂ was adapted from the short story ＂Wu Baoan＂ . Through the methods of ＂addition＂, ＂derivative＂, ＂delete＂ and ＂adjustment＂, the poetic drama has changed in the plot structure, characters and themes expression. Of course, these changes are closely related with the poetic opera system and the aesthetic education function.
出处
《东华理工大学学报（社会科学版）》
2015年第2期118-121,共4页
Journal of East China University of Technology(Social Science)
基金
国家社科基金青年项目<明清戏曲改编研究>(12CZW036)
江西省高校人文社科重点研究基地招标项目<明传奇与小说关系研究>(JD1151)的阶段性成果
