摘要
东周园林建筑的变化体现了其时园林审美艺术从重德到审美的嬗变。通过以园林建筑中"台"以及园林位置的变化点明东周园林由原有的儒家礼制思维,转向了道家的美学思维,园林的功用也随之在单一的政教功利性中融入了主体的审美愉悦性,从而对传统中国人人格的丰满产生了极大作用,既积极入世,但又不会走向偏执;在现世中有所为,但又拥有一个极洵烂至美的艺术世界。
The ever-changing of gardens in East-Zhou dynasty had reflected the transformation from evaluating etiquettes to appreciating aesthetics. By analyzing alters among other landscape architectures and various locations of the gardens, this paper points out that in the course of turning from the ritual of Confucianism to the aesthetics of Taoism, the aesthetic pleasure of the subjects had been blended into the function of East-Zhou gardens which used to be merely utilized for religion and government. As a result, the transformation plaid a very important role to enrich the personality of Chinese people, that is, to actively participate in the society without paranoid, and to do something in reality with a beautiful artistic world.
出处
《西安建筑科技大学学报(社会科学版)》
2015年第3期69-74,共6页
Journal of Xi'an University of Architecture & Technology(Social Science Edition)
关键词
东周园林
礼制
审美
gardens in East-Zhou dynasty
the etiquette system
aesthetic