摘要
古称吴陵的江苏泰州地区的戏曲文化,作为泰州地域文化的突出代表,有着极为深厚的文化底蕴。除蜚声国内外的"梅桃柳——戏曲三家村"外,明清时期泰州地区众多的昆曲家班可谓泰州戏曲文化史上最辉煌的一幕。明代中后期至清代中前期,泰州地区曾出现过十多个昆曲家班。一定程度上使得明末至清中前期的泰州,成为地区性的昆曲创作与表演中心,谱写了泰州戏曲史的一代传奇。根据目前可见部分地方文献和中国戏曲史料,可对明清泰州地区昆曲家班及其主人、形成原因及对后世之影响等作初步考证。
The opera culture in Taizhou area, as the outstanding representative of the local culture of Taizhou, has a very deep cultural connotation. In addition to the renowned at home and abroad "three village of drama", the most brilliant period of Ming and Qing Dynasty Family Opera Troupe in Taizhou area many is Taizhou opera culture in the history of the scene. In the late Ming Dynasty to the Qing Dynasty in the early, Taizhou area had more than ten Famity Opera Troupe. To a certain extent, the previous Taizhou ruing to Qing, a regional Kunqu opera creation and performance center, composed of Taizhou opera in the histo- ry of the legend. According to the current visible part of the local literature and China historical drama in the Ming and Qing Dy- nasties, Taizhou area can be Family Opera Troupe and its owner, causes and the preliminary research on the later influence etc.
出处
《盐城工学院学报(社会科学版)》
2015年第2期70-77,共8页
Journal of Yancheng Institute of Technology(Social Science Edition)
基金
江苏省社科基金一般项目(14LSB001)
江苏省高校哲学社会科学基金指导项目(2013SJD750024)
关键词
明清时期
泰州
昆曲家班
考证
during the Ming and Qing Dynasties
Taizhou
Family Opera Troupe
research