摘要
梨园戏,因其崇古、细腻、尚雅的独特风格溢满海内外,是中国现存最古老的剧种之一。其"科母""科步"和舞蹈表演自成体系,尤以旦角舞蹈表演形式最为突显。通过运用戏曲舞蹈形态学和民族舞蹈学的研究方法,分析"旦角"舞蹈形态特征和动作特点规律,考察其历史由来,探究其艺术价值,对研究梨园戏何以长存以及今后的保护、传承工作具有重要意义。
Bearing a history of a millennium,LiYuan Operas,as one of the most ancient operas of China,has formed its own artistic style with its"Kemu","Kebu"and dancing,among which the female role′s dancing performance is the most outstanding.And it′s famous all over the world for its classicality,subtleness and elegancy.This essay analyzes the Female role′s dance performance by employing the means of the Opera Dance Morphology and National Dance.It studies the character of the dancing form and the rule of its action features.It also traces its historical origin to explore its artistic value with the commitment to contribute to the study,preservation and inheriting of LiYuan Opera.It meanwhile gives lights to the creation and development of KeMu in other types of operas.
出处
《学术问题研究》
2015年第1期91-96,共6页
Academic Research(Integrated Edition)
基金
仰恩大学科研培育计划项目(SK20151004)
关键词
梨园戏旦角
舞蹈表演
艺术形态
研究
LiYuan Operas′female role
dancing performance
art forms
research