摘要
故事的存在方式经历了口头、书面、电子传媒三个阶段的变迁。民间故事在当代社会面临着承载土壤逐渐消失的困境,但普遍存在于口头文学中的故事并没有消失,而是以另外的形式保存、延续了下去。数据显示,各国动画艺术对民间故事均有不同程度的吸收与借鉴。民间故事融入动画艺术存在三种可能类型,二者的叙事结构和审美内涵有着相似之处。自此,动画转向成为了民间故事在当代一种可能的发展空间。
Story telling experiences three stages: oral, written, and electronic media. Falk tales in the contemporary society is facing difficulties, with the growing basis gradually lost. However, oral story telling does not disappear but stores and continues in another form. Data show that the art of animation from many countries, in certain degree, absorbs and draws upon the fruits of folk tales. There may be three types of this fusion and similarities between narrative structures and aesthetic connotations. Since then, the animation turning has become a possible development space of folk tales in the contemporary times.
出处
《廊坊师范学院学报(社会科学版)》
2015年第3期37-42,共6页
Journal of Langfang Normal University(Social Sciences Edition)
关键词
民间故事
当代困境
存在方式
动画艺术
folk tales
contemporary dilemma
mode of existence
animation art