论尼采思想的“美学转向”

On Nietzsche＇s Aesthetic Turn

尼采思想“美学转向”是由《悲剧的诞生》倡导的酒神精神嬗变而来，这种精神又逐渐衍生出权力意志。在此基础上，我们进一步勘察了作为权力意志“永恒轮回”肉身化的“超人”，以及这种旨在批判基督教伦理道德的理想与查拉斯图拉之间的隐秘关联。尼采思想的这种“美学转向”，其实质是在“上帝死了”的现代性条件下，他为此推出了“超人”来取代上帝隐匿退场后的位置；在这一宏大的最富戏剧性的角色转换中，隐含着西方思想史上的一个重大的转型，即旧形而上学抽象的、绝对实体的本体已让位于禀赋生命意志力的感性存在的个体。

The thought of Nietzsche＇s aesthetic turn comes from the spirit of Dionysus in the The Birth of Tragedy which produces the will of power. We further investigated the ＂Superman＂ as somaticalized the eternal turn of the will of power and the hidden relationship between the ideal criticizing the Christianity and Zarathustra. Why Nietzsche＇s thought turned to aesthetic is that he want to use the ＂Superman＂ replacing the position of God in the condition of modernity. This grand turn indicated that the metaphystics abstract absolute substance has been substituted for sensuous existence with the will of life.