摘要
"象"在中国传统文化中具有重要的地位,它所具有的原发创生性,使其对于中国文化而言具有本源性的意义。刘勰从形而上的角度讨论文的起源,他吸收了《周易》的思维方式,对原本属于哲学意义上的"易象"进行诗学的处理和解释,使易道之象所具有的通往诗道之象的潜在资质得以发挥,并以诗学理论的方式呈现出来,从而实现了"象"的诗学转换。从根本上来讲,这种转换是凭借"天地之心"的介入而实现的,"天地之心"引发产生诗人之"情"与"志",诗道之象正是通过诗人的情志活动构筑而成。
Image has occupied an important position in Chinese traditional culture. It is of great significance to Chi-nese culture because of its original creativity. Liu Xie inherited and developed the thinking of the Book of Changesfrom the metaphysical point of view. His poetical interpretation made it possible to convert and present the image ofYi, as a philosophical category, into poetical image, and also realized the poetical conversion of the image. Basi-cally, the realization of the poetical conversion was based on the intervention of the mind of the universe, which a-wakened the poet's affections and emotions. It was the activities of poet's emotions that built up the poetical image.
出处
《唐都学刊》
2015年第4期80-86,共7页
Tangdu Journal
关键词
象
易道之象
诗道之象
转换
刘勰
image
image of Yi Principle
poetical image
conversion