试析新古典主义在中国20世纪上半叶的演化——论学衡派、梁实秋等对新古典主义的引进与中国化

Evolution of Neo-classicism in the First Half of the 20th Century in China:Introduction and Sinicization of Neo-classicism by School of Xue Heng and Liang Shiqiu

新古典主义思潮作为一种曾经在新文化运动中产生过较大影响的文学思潮,虽然在20世纪上半叶的文学中处于边缘性地位,但其影响却不可小觑。新古典主义思潮通过与主流文学形态进行坚决的论战,奠定了其在当时文学流派中的地位,更重要的是,它开启了这样一道大门,即那些坚持中华古典文化的学者和文学家可以在一种非此即彼的民族危机下寻求一条更加稳妥的道路来进行民族文化的改良。

As once an important trend in the New Culture Movement, the influence of neo-classicism thoughts should not be neglected although it has been in a marginal literary position in the first half of the 20＇h century. Through resolute debate with the mainstream literature, it has established its position in the literary genre of that time, and more importantly, it opens a door so that those scholars who insist on Chi- nese classical culture may seek a more secure way in the national crisis of ＂either A or B＂ to improve the national culture.