藏族村民影像与视觉人类学的核心价值

Documentaries of Tibetan villagers and the core objectives of anthropological films

随着社会经济的发展,尤其是电子媒介技术的革新,由非专业人士拍摄的"村民影像"作品越来越多。村民影像不仅传递了村民的声音、打破了传统媒介机构的话语程式,而且还具有丰富的视觉人类学价值。以2000年以来较为集中的藏族村民影像为研究对象,认为这些影片在主题呈现方面表达了藏民族的整体文化,并且在视听语言实践中通过村民的主动选择而达成了视觉人类学在完整性和深描方面的核心诉求。

With the socio - economic development of China, especially the evolution of electronic media, the number of ＂villager docu- mentaries＂ has increased rapidly these years. Produced by non - professional individuals or institutions, villager documentaries have voiced the villagers＇ views and made a breakthrough in the institutional pattern of discourse, which has some value of visual anthropolo- gy. This paper focuses on the documentaries on Tibetan villagers made since 2000, arguing that the thematic presentation demonstrates the holistic culture of the Tibetans while the villagers＇ involvement in the audio - visual media through their own choices reaches the core objectives of anthropological films.