春秋社会形态变迁与诗歌叙事主体构成形态演化

Changes of Social Forms during Spring and Autumn Period and Evolution of Composition Forms of Narrative Subject in Poetry

春秋时期社会形态的变迁,引发诗歌创作功能由"辨妖祥"的宗教目的向"听于民"的政治目的的转变,构成要素由诗、乐、舞合一向诗、乐、舞分离的转变,创作方式由集体为主向个体为主的转变,导致叙事主体朝更加多元化、平民化方向发展,逐渐构成了"王—公—卿—君—大夫—士—平民—奴隶"多阶层形态,为后世"官方—士人—民间"三极审美文化格局的形成奠定了坚实根基。

With the changes of social forms during the Spring and Autumn period,the functions of poem creation changed from the religious purpose of distinguishing different signs to political purpose of listening to the voice of the people,the structure elements changed from the unity of poem,music and dance to the separation of them,and the creation modes changed to the main individual creation instead of the main collective work,which promoted the narrative subject more diversified and civilian,gradually setting up a strata form of'king-prince-minister-emperor-bureaucrat-scholar-civilian-slave'.The strata form laid solid foundation for the later three-pole pattern of aesthetic culture of 'authority-scholar-ordinary people'.