陈敬容诗歌的色彩意象解读

Interpretation to the Color Image inside Chen Jingrong's Poems

"九叶"诗人陈敬容对色彩的感觉极为敏锐,她能根据特定情感与题旨的需要,选择最契合的色彩进行抒写,以表现其人其时的心理感受。早期的诗歌作品中,诗人擅长以冷色调的意象表达内心茫然孤独的情感体验;中后期以后,诗人逐渐告别独语式的情感表达方式,在色彩意象的选择上由寂寞哀愁走向明朗乐观,由冰冷低沉的色调扩展为底色纯净的五彩画卷。此外,诗人还喜爱在整体诗歌创作中反复使用某类色彩意象,以使其成为一种带有原型意义的主题语象。

Chen Jingrong, one of the most brilliant female poets of the Nine-leaf school in modern Parnassus of China, is so sensitive to colors that she alwayschooses the best ones in accordance with emotions and themes embodied in the poems to show inner feelings of the very person at a certain time. Therefore in her early work, she is fairly skillful at using image of cold colors to reveal certain emotional experience of being blank and being lonely inside. However, during the middle and late periods of her poem writing, she gradually comes to end up applying expressive ways of soliloquies or monologues. In the choice of color image, she turns to prefer the bright and clear to loneliness and sadness. The application of writing approach also turns from cold and deep color to pure and clear background like colorful scroll paintings. Besides, the poet also goes for using image implied by a certain color repeatedlyand continually so that it becomes a thematic lingual image with prototypical meanings.