摘要
《第七天》是余华继《兄弟》之后历时七年全新打造的又一新作,与余华传统长篇小说相比,无论是创作形式、人物塑造还是表现手法,都存在着明显的不同。挖掘这些变化背后隐藏的诗学原理,探究变化自身与文体内在要求之间的兼容性问题,特别是从"漫游小说"、"泛现代主义"文学和"灵魂"形象塑造等角度来进一步探寻余华小说创作诗学的特征,可以更好地诠释小说文本。
The Seventh Day is Yu Hua’s another work afterBrothers, which took him seven years to write. Compared with his traditional novels, it is obviously different in creation of form, characterization and technique of expression. To find the poetic principles hidden behind these changes, explore the compatibility between the changes and the internal requirement of style, and especially, study the characteristics of creative poetics of his novels from perspectives of “roaming fiction”, “pan-modernism” and “soul” image building can better interpret his fiction text.
出处
《温州大学学报（社会科学版）》
2015年第4期20-25,共6页
Journal of Wenzhou University：Social Science Edition
