摘要
格洛托夫斯基和谢克纳是20世纪重要的戏剧导演、理论家和思想家。本文从格洛托夫斯基与谢克纳对中国文化的接受出发,考察了两位艺术家戏剧理念的产生、继承与发展;试图论证从格洛托夫斯基到谢克纳,美国先锋戏剧以跨文化为切入口,借助对"表演"的强调,完成了对戏剧的解构。
Jerzy Grotowski and Richard Schechner are the most important theater directors, theorists and thinkers in the twentieth century. This article investigates the origin, inheritance and development of their theatrical concepts, and attempts to illustrate that American avant-garde theater professionals from Grotowski to Schechner complete the deconstruction of theater by emphasizing the importance of"performing" from the perspective of cross-culture deconstructing theater is completed.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2015年第3期15-22,共8页
Drama:The Journal of the Central Academy of Drama
基金
中央高校基本科研业务费专项资金项目"论美国先锋戏剧对中国文化的接受"(项目编号:2062014256)的阶段性成果
关键词
格洛托夫斯基
质朴戏剧
表演研究
跨文化
Jerzy Grotowski, poor theater, studies of performing, cross culture