摘要
本文旨在对北京"人艺"总导演焦菊隐和上海"人艺"院长黄佐临两人在戏剧观念及其理论表达方面的异同进行比较。从两人多次在理论陈述中提到的"意"字入手,包括"诗意"、"写意"、"意境"等,深入探讨两人戏剧观念和理论的核心,阐释具体的异同。
This paper compares and contrasts the theatrical concepts and theories of Jiao Juyin, the chief director of the Beijing People's Art Theatre, and Huang Zuolin, the president of the Shanghai People's Art Theatre. Starting from the statement "symbolic", which has been mentioned several times in their theories including "poetic", "symbolic" and "artistic" conception and so on, this paper penetrates into both core ideas and theories to explain their similarities and differences.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2015年第3期108-116,共9页
Drama:The Journal of the Central Academy of Drama
关键词
现实主义
诗意
意境
情与理
Realism, Poetry, Artistic Conception, Emotion and Reason