霍去病墓石雕群的本土艺术哲学因素

Native Artistic and Philosophical Factors on Stone Sculpture Group of Huo Qubing's Tomb

霍去病墓石雕群的造型特点,在中国石刻雕塑史上较为独特,因此,很多学者将其归结为当时汉文化与草原文化交流碰撞融合后的产物。然而,不管外部文化因素如何强势,都不能忽略当时决定接受何种外来文化因素的内在文化动因。本文尝试剖析霍去病墓石雕群所反映的,以本土庄子美学为主的本土艺术哲学因素,认为以霍去病墓石雕群为代表的西汉石雕艺术,是庄子美学较早的实物例证,与后世文人艺术中对于庄子美学的借鉴与发挥并不相同。

The module characteristics of stone sculpture group of Huo Qubing＇s Tomb proved peculiar in the history of China＇s stone curving sculpture. Hence, many scholars summed it as the producer of Han and grassland＇s exchanging and collision. However, we can＇t ignore the initial cultural motive deciding to accept which culture at the time regardless of how strong was the external cultural factors were. The essay attempted to analyze what Huo Qubing＇s Tomb reflected and what the local artistic and philosophical factors that confines on the aesthetics of Zhuangzi, believing that the western Han＇s sculpting art was the early authentic example that proved different from later scholar＇s interpretation and fulfillment.