取径自然,崇尚天成,回归本色——论刘克庄诗学的创作论和批评论

Approach Nature,Advocating Tiancheng,Returning Plain——A Study of Theory of Creation and Criticism in LIU Ke- zhuang's Poetics

刘克庄是南宋后期文坛的领袖,他受道家美学的影响,形成了取径自然、崇尚天成、回归本色的诗学思想。刘克庄在创作论上反对以文字为诗、以才学为诗、以议论为诗,反对堆垛典故和雕章琢句,主张随物赋形,提出"不求工而自工"的理念。刘克庄还把自然美学和本色诗论用于批判宋诗流弊、得出了一些中肯的结论。

LIU Ke - zhuang is the leader of the late Southern Song Dynasty literature. He was influenced by the Taoist aesthetics, formed the poetics thought of approach nature, advocating tiancheng and returning plain. LIU Ke -zhuang opposed writing poems with the allusion, knowledge and reasoning, and refused stacking allusions and writing in an ornate style. He claimed describing objectively, proposed the concept of ＂not for the pursuit of exquisite but natural exquisite＂. LIU Ke - zhuang criticized the abuses of poems of the Song Dynasty in the natural aesthetics and plain poetics, and draw some relevant conclusions.