摘要
莫言认为"我的小说是大于政治的",他在创作中力求摒弃主流意识形态的影响,努力站在人性的角度写作,最终"突破了阶级、政治界限"。本文以莫言早期小说为例,分析了意识形态在其中的复杂表现,指出主流意识形态在莫言小说中并未退场,而是以一种作者不自觉的暗示方式存在着,某种程度上决定着他的小说的价值。
Mo Yan thinks that "My novel is more than politics," he strives to creat his works which abandon the influence of the mainstream ideology, trying his best to write from "breaking through the class and political boundaries." This paper, the perspective of humanity, and ultimately, taking Mo Yan's early novels as an example, has analysed the performance of the complex ideology, pointing out that the mainstream ideology in the novels does not exit,but still exists in an unconsicious cue way, it's the key to determine the significance of his novels.
出处
《潍坊学院学报》
2015年第3期14-17,共4页
Journal of Weifang University