论刘半农诗歌创作所呈现的民间世界——以《扬鞭集》《瓦釜集》为例

THE FOLK WORLD PRESENTED BY THE POETRY OF LIU BANNONG—with Whipping Collection and Earthenware Collection as Examples

刘半农开拓了启蒙视域外的民间视角,真实再现了原生态的乡土社会,他积极汲取民间资源的活力,为白话诗歌的发展做出了不小的贡献。以《扬鞭集》部分诗歌和《瓦釜集》为例来分析其笔下呈现的多元民间世界,并发现其诗歌中本土文化经验对现代文学的想象空间和审美形态的启发价值。

People who participated in the May Fourth New Cultural Movement showed the existence physiogno-my of the Chinese local community from different angles while Liu Bannong gave a true representation of the local community characteristic of the original ecology by exploring a folk perspective beyond enlightenment vi-sion.Liu Bannong actively drew the vitality of folk resources and made great contribution to the development of vernacular poetry.The paper analyzes the multiple folk world presented in his works with some of the poems in Whipping Collection and Earthenware Collection as examples and tries to spot the inspiring value the local cul-tural experience in his poetry has brought to the imagination and aesthetic form of modern literature.