摘要
有人说中国汉字中的"美"字,其实就是一个戴着头饰的人。从生理上讲,头部是人体中最重要的部位,也是视线焦距的中心。世界上,几乎所有民族都有佩戴头饰的历史。在我国,头饰几乎贯穿了整个历史,它像镜子一样映射着时代的变迁。通过追寻头饰,我们可以感受到中华五千年文明的博大精深。本文侧重清代"满族"女性头饰的特点与自身蕴含的文化使其独具魅力和丰富的精神文化内容,浅要分析了以清代满族女性为对象的头饰文化,通过文献、图像与实物的相互比对,着重从头饰的工艺技术,样式风格,文化内含等方面进行论述。简要概括以头饰为代表的清代手工业发展水平与其社会科学技术发展的内在联系,总结清代女性头饰设计的艺术特征,凝练其审美价值。
Someone said the word "beauty" in Chinese characters is actually a man wearing headdress. Physically, the head is the most important part in the human body and the center line of sight of the focal length. In the world, almost every nation has a history of wearing headdress. In our country, tires are almost throughout the entire history. It is like a mirror reflecting the changes of the times. Through the pursuit of tires we can feel the extensive and profound Chinese civilization in five thousands. This paper focuses on the characteristics of Qing Dynasty "Manchu" female headdress, contains the culture which makes its unique charm and rich cultural content, takes Qing Dynasty Manchu women as objects of headwear culture. By literature review and the mutual comparison of images and objects, emphatically from the tire technology and style, the culture is embedded, etc. The article briefly summarizes Qing Dynasty handicraft industry development level represented by tire and its inner connection of social science and technology development, gets a conclusion of the artistic features of Qing Dynasty women tire design.
出处
《设计》
2015年第11期95-96,共2页
Design
关键词
清代
满族
头饰
美学
Qingdynasty
Manchu
Tire
Aesthetic