摘要
活跃在明治末年至大正时期日本文坛之上的女性作家田村俊子,站在日本近代女性写作的源头,通过《女作者》一文淋漓尽致地塑造了一位为写作而殚精竭虑、痛苦煎熬的"女作者"的生动形象。在本论中,笔者通过细读文本,从"写作"与"表演"的时代共性这一新的视角切入,将重点放在"女作者"的创作过程和其作品的文体特征,并将同时代的文坛、社会背景等纳入视野之中,来探讨"女作者"是如何在男性作家群中发出自己的声音,进而论证作为发声主体的"女作者"在写作上的局限性和打开写作困境的可能性。
Tamura Toshiko who flourished in the literary world from end of Meiji Era to the Taisho Period, standing in the cradle of the modem Japan female writing, by the novel of Authoress, incisively created a vivid character of a female author who suffered the torture and racked her brains on the writings. In this paper, by perusing the text, the paper-writer comes straight to the point from the new perspective of common character of writing and performance,emphasizes creation of Authoress and her stylistic features, and puts the society backgrounds and literary world of same age into the field of vision. By all these means, the paper-writer intend to probe into how Authoress raised the voice among the galaxy of male writers, furthermore demonstrates on voicing heroine Authoress' writing limitation and possibility of shaking off plight in writing limitation
出处
《日本问题研究》
CSSCI
2015年第3期64-72,共9页
Japanese Research