“无我之境”视域下的“登高”意象

The Climbing Imagery of Literary World without Me

我国从春秋战国开始,"登高"意象就紧紧地与文学联系在一起,历经汉唐宋元,"登高"这一传统意象在文人的诗词曲赋中被表现得淋漓尽致。"登高"是文人对自我感情的抒发,是经历磨难之后追求心灵的释怀。现代学术界很多论文对"登高"这一意象本身的研究很细致,然而仅仅局限于意象的本体,并没有细挖这一意象背后深层次的境界。从"登高"出发,着力研究登高背后的二重境界,则能够全面把握文人的心理。

From the Spring and Autumn periods, climbing imagery tightly connected with literature. After Han Tang and Song Yuan dynasties, climbing imagery was performed completely. Climbing is the literary to express feelings of the relief, which is also the experience of suffering after the pursuit of spirit. Researches on the climbing imagery of modern academic have been careful; however, the research of realm is not enough.From the climbing, the paper focuses on the research behind, which can grasp the literati psychology.