比较分析《歌剧魅影》三个经典版的演唱

Comparison Analysis on the 3 Classical Singing Versions of "The Phantom of the Opera"

随着艺术形式的多元化,单纯的音乐已不足以表达人们的寄托,于是,音乐剧的诞生开拓了音乐戏剧发展的新领域。安德鲁·劳埃德·韦伯(Andrew Lloyd Webber)创作的音乐剧《歌剧魅影》深受广大观众喜爱,其中1986年的首演、2004年改编的电影版和2011年"25周年纪念音乐会"是其中的三个经典版本,不同演员的演唱体现了歌唱不同时期的发展特点。音乐剧之所以征服了世界,归根结底是由于它的"借鉴"、"创新"。而这一点,恰恰也是我们从事音乐艺术工作者需要认真思考的。美声和音乐剧的发展相辅相成,需要的演唱者不断地丰富音乐知识和演唱技能,更好地诠释音乐作品的情感,用心一边感受一边演唱,所谓"音由心生",才能使这些旋律不是按一定节奏堆积起来的音符,而是一个个鲜活的被创作者赋予了艺术生命的灵魂。

With the diversification of art forms,the pure music is not enough to express people＇s hopes,then,the birth of musical has opened up new areas of the development of music drama. The musical ＂ The Phantom of the OCpera＂ created by Andrew Lloyd Webber is popular with the audience,of which premiered in 1986,the 2004 film version of the adaptation and 2011 ＂ the25 th anniversary of the concert＂ is the 3 classical versions of the singing in different periods of development. That musicals have conquered the world is finally due to its ＂ reference＂ and ＂ innovation＂. And this is precisely what we need to think about.Euphonic singing goes hand in hand with the development of the musicals. It requires the singers to enrich their music knowledge and singing skills to better present the music works emotion. The singers should sing from the bottom of the heart,which means these melodies are not the notes piled up by the certain rhythm but the fresh souls of the art life granted by creators.