拼贴与独创:双重视野下的《白日焰火》

Collage and Innovation,Double-vision Black Coal,Thin Ice

在西方批评者眼中,《白日焰火》是一部气质迷人却又令人困惑的影片。本文首先从其意味深长的结尾入手,尝试在黑色电影和作者电影的双重维度下挖掘其迷人和困惑的根源所在;继而试图在类型电影的基本框架内完成文本中现代主义三个特征的构建;在确认其影片风格时,最后强调了文化的重复利用对实践独特风格的可能。

To western critics, Black Coal, Thin Ice is entrancing and confusing. By studying the meaningful ending, the author explores the root in perspectives of film noir and author film, and fur- ther attempts to construct three characteristics of modernism within basic frame of genre films. Hay-ing recognized its style, the author emphasizes the possibility to employ distinctive features by re- peated appliance of culture.