摘要
土家族"撒叶儿嗬"正经历着深刻的当代转型。它在表演动因、表演者、表演服饰、表演形式、表演内容、表演时空等因素的层层"剥离"下,由原生民俗形态衍生出表演民俗形态、广场形态、教学形态、演艺形态等多种存在形态。"剥离"使"撒叶儿嗬"在"现代"与"传统"的纠结中步入"转型困惑期"或"转型阵痛期",并最终将形成多元发展态势。
Sayeerhe,a funeral ritual dance of Tujia is undergoing a profound modern transformation. With the deviations of the perform motivation,the performers,the performance costumes,the performing forms,the performing time and the place and many other factors,the dance is deriving from its original folk shape,performance folk shapes,public square shapes,teaching shapes and acting shapes. The deviations make "Sayeerhe"experience the confusion of the transformation or the wave of pains between modern shapes and traditional shapes,and eventually it will form the diversified developing trend.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2015年第3期67-69,共3页
Journal of Beijing Dance Academy
基金
国家社会科学基金项目"清江流域土家族人生礼仪乐舞文化研究"(项目编号:14BMZ052)课题论文
关键词
剥离
撒叶儿嗬
当代转型
deviation
Sayeerhe
contemporary transformation