摘要
舞蹈表演作为舞蹈学科中技术性较强的一个重要方面,发展到今天,需要更多的研究者对表演观念进行理论式总结。就其研究现状来看,基于实践基础上的舞蹈表演创作研究较多;而针对舞蹈表演观念的理论研究却稍显薄弱。而对舞蹈表演观念的研究,多以借鉴音乐与戏剧等其它艺术门类为主,尚未建立自身独立的研究方法。本文以舞蹈表演观念为研究对象,分别从它的含义、特征和使用途径三个方面进行分析,为不断提高舞蹈表演者的自身素养,完善舞蹈表演理论提供参考。
Dance performance,as an independent,comprehensive and technological subject in dance studies,requires theoretical summary from more researchers. More studies focus on the creations of dance performance based on practical experiences,while the theoretical studies appear weak. Most research on the concept of dance performance still constructs itself on the references of the other art forms like music and drama,and lacks of its own methodology. The paper focuses on the concept of dance performance,and analyses the three aspects: the connotations,characteristics and ways of application,providing reference for dancers' self-promotion and improvement of dance performance theories.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2015年第3期100-103,共4页
Journal of Beijing Dance Academy
关键词
舞蹈表演
剧场性
假定性
dance performance
theatricality
assumption