肢体剧场《哥仔戏》中的身体表达

Physical Metaphor Covered by Desire: Creation Profiling of Play Boy

杨春江是香港较有代表性的舞蹈创作者之一。他的早期作品《哥仔戏》将男性演员的表演作为创意点,大胆突破了传统演出的审美与表演习惯,为观众呈现了一台新异的肢体剧场作品。本文剖析了这部作品的风格属性及创作概念,深入探索了其背后在社会性别处境、身份立场等方面的多元身体隐喻,以期为当代舞蹈创作带来启示。

Daniel Yeung is one of representative individual choreographers in Hong Kong,whose early work Play Boy gathered completely male dancers as creative point,and challenged traditional aesthetics and performing,which presented an avant-garde performance for the audience. Based on this work,this paper combines his interview with analysis of conceive,through discussing his aesthetic style and concept,and furthermore explores deeply the physical metaphors that symbolize the situation of society gender and identity position. By which,it is expected to stimulate the dance creation in post-modern society.