《群山之巅》中“傻子”形象及其功能转变

Image of“Fool”and its Function Change in on Top of Mountains

迟子建作品中不乏"傻子"形象,与她小说中众多充满灵气的人物形成极大反差。在其新作《群山之巅》中,装傻的单夏和被害的陈媛作为游离于现实生活之外的傻子,进一步充实了迟子建的"傻子"人物序列。通过其独特视角和社会处境,展现了"傻子"狭窄的生活空间,并以"傻子"的结局反思人类的终极幸福,由此完成了"傻子"形象的功能转变。这体现了迟子建追求理想人性的价值取向和不断调整创作理念的不懈追求。

There is no lack of the＂fool＂in the works of Chi Zijian,and it is a great contrast to her many intelligent characters.In her new book,＂on the top of mountains＂,Dan Xia who plays the fool and Chenyuan who is killed as free from real life further enrich the Chi Zijian＂fool＂sequence of characters.By its unique view and social situation,it shows the fools‘narrow living space and reflects the ultimate human happiness through the fools＇ end,thus realizes the function change of the fool.This reflects Chi Zijian′s pursuit of the value orientation of the ideal human nature and the unremitting pursuit of the constant adjustment of his creation idea.