摘要
文学归潜,意味着文学以其归潜实现人文归藏的根本理念。由归藏思想考验归潜文学,也是向死而生而且生死与共的看待文学。文学在归潜,等于说文学通过归潜活动,把人类的终极关怀贯穿在必死者生死互依、生死交织和生死共存的启蔽双兼之中。归潜文学把归藏思想写到了人文最深处。在人类文化史上,文学秀显可谓有过之而无不及,文学归潜却为世人所淡忘。倡导归潜文学,是文学人的另一种活法,是文学理论的本真面孔。
Literary Guiqian (returning to the underneath and being quiet and subtly receptive) means the realization of Guizang (the fundamental idea of returning to a quiet accumulation of great inclusion and tolerance and good will). Guizang puts literature in Guiqian to the test, and views literature as being towards death and coexistence of death and life. Literature in Guiqian means that through Guiqian, it runs the ultimate concem of mankind through interdependence, interweaving, and coexistence, of life and death of the mortal. Literature in Guiqian leads Guizang to the innermost of humanity. In the history of culture, the demonstrable aspects of literature go too far, but Guiqian is lost and forgotten. Advocating literary Guiqian shows another being of literature, the true outlook of literary theory.
出处
《广东外语外贸大学学报》
2015年第2期58-61,共4页
Journal of Guangdong University of Foreign Studies
关键词
文学归潜
反常近道
体现归藏
Literary Guiqian
being closer to Dao by contrary to the norm
embodying Guizang