摘要
女作家张洁自新时期以来关于女性和爱情婚姻的书写被评论界认为是当代中国女性主义文学作家书写的先导和典范,但通过详细的文本阅读,文章认为张洁的创作并没有真正实现对传统男性话语的突围。其女性形象的塑造仍然采用了传统的男性审美视角,不仅没有强调女性的主体性地位,也没有构成对传统男性中心文化的颠覆与解构。批评界对张洁"女性主义文学"和"女权主义者"的定位,只是一种盲目运用西方理论因概念混淆而产生的误读。
The Chinese authoress Zhang Jie has been certainly considered as the vanguard of Chinese feminist literature, due to her creation which concerned about the lives of women who lived in the special new period of Chinese history. However, from the perspective of not only the creative main body but also the creation text, the description about female in Zhang Jie’s works is totally different from“Feminism”. In fact, her works presented the profound awareness of women which is restricted by the male dominated utterance. She was affected deeply by the male supremacy culture and the theory of grand narrative, so she mainly applied the traditional male aesthetic angles of view and pattern to composition. Moreover, she has not stress the subjectivity and independence of female and has not attempt to the deconstruction of the male-centered culture. Therefore, the“Feminist” position, which was given to Zhang Jie is just a kind of misunderstanding, as the result of the exploration out of curiosity and conceptual confusion.
出处
《北京工业大学学报(社会科学版)》
2015年第4期78-82,共5页
Journal of Beijing University of Technology (Social Sciences Edition)
基金
中央高校基本科研业务费资助项目(12SKGC-QG10)
关键词
张洁
女性主义
女性书写
男权话语
Zhang Jie
feminism
feminine writing
male-dominated utterance