摘要
陀思妥耶夫斯基的晚期创作中,父亲形象作为弥补社会所缺失的对青年之精神培养、实施对青年教育责任的主要载体,是作家所着重刻画的对象。巅峰之作《卡拉马佐夫兄弟》中的父亲形象之多重面影和理想父亲之重叠成像,既表现出自然时间进程中陀思妥耶夫斯基对理想父辈所代表的文化传统之记忆和追寻,又展现出作家在文学时空中以艺术形塑理想父辈和民族文化的主观愿想,化为由历史积淀而出的深沉意象。
In Dostoevsky' s late works, the image of father as the major carrier of mental cultivation of and educational responsibility for the youth which is lack in society is heavily portrayed. The multi-facet image of the father in Dostoevsky' s masterpiece The Brothers Karamazov interacting with ideal father image, is the expression of Dostoevsky' s reminiscence of and yearning for the cultural tradition represented by his father' s generation with the elapse of natural time on the one hand, and the embodiment the writer' s personal wishes for the artistic recasting of ideal fathers and national culture in the time and space of literature on the other hand, thus being a profound image accumulated by history.
出处
《俄罗斯文艺》
CSSCI
2015年第3期51-58,共8页
Russian Literature & Arts
基金
2014年安徽省哲学社会科学规划项目"陀思妥耶夫斯基小说的空间书写"的阶段性成果。项目编号AHSKQ2014D100