摘要
"抗日救亡"几乎是抗战时期军旅舞蹈的唯一主题,此时的舞蹈作为一种文艺利器具有强烈的政治属性和军事属性,以人民最为熟悉的民族语汇和演出形式宣传抗日,用舞蹈的形式再现战斗场景,表达了全国抗日军民"捐躯赴国难,视死忽如归"的爱国主义情怀。抗战时期的军旅舞蹈不仅与红军舞蹈的精神一脉相承,践行了军旅舞蹈"为兵服务、为提高部队战斗力服务"的天职,为中国当代舞蹈的发展奠定了厚重的基础,更在军旅舞蹈88年的发展历程中起着承上启下的重要作用。
"Fighting Japan for national salvation" was almost the only theme for military dance during the War of Resistance Against Japanese Aggression, therefore dance at that time, as a sharp tool of literature and art, had strong political and military attributes, which by use of the people' s most familiar national vocabulary and performance forms called for fighting against Japanese aggression. In those reproduced fight scenes in the form of dance, the patriotic feeling held by the whole Chinese armies and people to "fight and sacrifice for the nation and see such a death as a homereturning" is expressed. Military dance in the War on the one hand was originated and developed from Red-Army dance, practiced military dance' s bounden duty to "serve for the soldiers, serve to improve the battle effectiveness", and laid the solid foundation for the development of Chinese contemporary dance. On the other hand, it plays an important role in the 88-years' development course of military dance.
出处
《解放军艺术学院学报》
2015年第3期84-90,共7页
Journal of PLA Art Academy
关键词
抗日战争
军旅舞蹈
爱国主义
the War of Resistance Against Japanese Aggression
military dance
patriotism