摘要
胡金铨与张彻两位同时代共存的大师级导演为中国"动作片"类型的发展做出了很大的贡献。他们迥然不同的风格丰富了中国"动作片"。他们两位在20世纪60-70年代促成了中国"动作片"的兴起。胡金铨在影片中形成了"阴柔美学"风格;张彻在影片中形成了"阳刚美学"风格。对两个导演与电影公司的关系给香港与台湾影片市场形成的影响作研究,并对两位导演的风格进行比较。
As two master directors co- existed around the same time,HU Jin- Quan and ZHANG Che made great contributions to Chinese "action films",enriching it with their distinctive styles and promoting its prosperity between 1960 s and 1970 s. While ZHANG developed a style with "masculine aesthetics",HU formed one with "feminine aesthetics".This paper makes a research on these two directors' relationship with their film firms and their influences on Hongkong and Taiwan film markets by comparing their styles.
出处
《贵州大学学报(艺术版)》
2015年第3期13-17,共5页
Journal of Guizhou University Art Edition
关键词
胡金铨
电影
阴柔
动作片
HU Jin-Quan
film
femininity
action film